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In Ghostly Japan, by Lafcadio Hearn
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Originally published in 1899, this work is a collection of writings by the American author Lafcadio Hearn. Hearn was a scholar of Japanese culture and society, and this book is a collection of essays, observations, and short stories on the darker side of the country. It is beautifully written and a fascinating read for anyone with an interest in philosophical musings inspired by the intriguing culture of Japan. We are also republishing this work with a brand new introductory biography of the author.
- Published on: 2015-01-21
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .43" w x 5.50" l, .50 pounds
- Binding: Paperback
- 170 pages
About the Author
Hearn (1850-1904) was born in Levkas, Greece, as the son of Greek and British parents. In 1869 he went to the United States and did various work, finally as a journalist. In 1890 he came to Japan and taught English in Japanese schools, and became a Japanese citizen under the name of Koizumi Yakuma. He died in Tokyo.
Most helpful customer reviews
25 of 27 people found the following review helpful.
A study of Japanese ghostly traditions
By Zack Davisson
"In Ghostly Japan" is a collection of old ghost stories, traditions dealing with ghosts, and personal ruminations on the afterlife by the turn-of-the-century Japanese scholar Lufcadio Hearn.
Much of the collection is short essays on Japanese traditions such as "Incense," and how incense relates to ghosts in terms of the Shinto and Buddhist religion. There is a true story of an accurate fortune teller know to the author, in "A Story of Divination." "Bits of Poetry" and "Japanese Buddhist Proverbs" translates and teaches several bits of Japanese lore as they relate to the world of the dead.
Some essays, such as "Silkworms," are pure conjecture, relating the human ideals of paradise to the daily lives of silkworms. "Suggestion" is a conversation between the author and a monk on the nature of gender and re-birth in the Buddhist tradition.
Of true ghost stories, there are few. Many of the ghost stories, such as "Furisode," begin with a short lesson about something Japanese, in this case a long-sleeved Kimono known as a Furisode, and then relates a ghost story dealing with the object. Some, such as "Ingwa-banashi," are pure chilling horror that make you cringe. Other true ghost stories in this collection are "Story of a Tengu," "Ululation," "Fragment" and "A Passional Karma."
One of my favorites, a short story called "At Yaidzu," tells of the author swimming out amongst the Obon lanterns, which are put to see to guide home the spirits of the dead, and the feeling he gets being in the Ocean amongst the returning dead. Truly creepy.
All in all, "In Ghostly Japan" is a bit more scholarly than ghastly. The writing style is like many books from the 1880's, a bit dry and non-thrilling. It is a good resource for learning about the Ghostly traditions of Japan, but those seeking a collection of Japanese ghost stories will be disappointed.
10 of 10 people found the following review helpful.
A study of Japanese ghostly traditions
By Zack Davisson
"In Ghostly Japan" is a collection of old ghost stories, traditions dealing with ghosts, and personal ruminations on the afterlife by the turn-of-the-century Japanese scholar Lufcadio Hearn.
Much of the collection is short essays on Japanese traditions such as "Incense," and how incense relates to ghosts in terms of the Shinto and Buddhist religion. There is a true story of an accurate fortune teller know to the author, in "A Story of Divination." "Bits of Poetry" and "Japanese Buddhist Proverbs" translates and teaches several bits of Japanese lore as they relate to the world of the dead.
Some essays, such as "Silkworms," are pure conjecture, relating the human ideals of paradise to the daily lives of silkworms. "Suggestion" is a conversation between the author and a monk on the nature of gender and re-birth in the Buddhist tradition.
Of true ghost stories, there are few. Many of the ghost stories, such as "Furisode," begin with a short lesson about something Japanese, in this case a long-sleeved Kimono known as a Furisode, and then relates a ghost story dealing with the object. Some, such as "Ingwa-banashi," are pure chilling horror that make you cringe. Other true ghost stories in this collection are "Story of a Tengu," "Ululation," "Fragment" and "A Passional Karma."
One of my favorites, a short story called "At Yaidzu," tells of the author swimming out amongst the Obon lanterns, which are put to see to guide home the spirits of the dead, and the feeling he gets being in the Ocean amongst the returning dead. Truly creepy.
All in all, "In Ghostly Japan" is a bit more scholarly than ghastly. The writing style is like many books from the 1880's, a bit dry and non-thrilling. It is a good resource for learning about the Ghostly traditions of Japan, but those seeking a collection of Japanese ghost stories will be disappointed.
19 of 24 people found the following review helpful.
Like Meeting a Buddha in Hell
By Crazy Fox
In my snobbier moments I'm somewhat annoyed when people read a book because they saw its movie adaptation. Why not start at the source? It's a sad, sad day indeed when it takes Hollywood to get people to sit down with a good, classic book. Etcetera etcetera. Well, here I am, guilty of much the same, the karmic consequences of my snobbery having come back around to bite me. Years ago I saw the film "Kwaidan" (based on Lafcadio Hearn's retellings of traditional Japanese ghost tales) and loved it, and that's basically what inspired me to read "In Ghostly Japan" here. Which means that I was misled by the title just a bit, for this book is a mixed bag of short pieces, some of which are ghost tales but many of which are not, or not exactly anyway. This was a pleasant surprise, however. Hearn writes of Buddhism in real, down-to-earth Japanese culture (for this, if anything, is the overarching theme of the miscellany, the ghost stories being folkloric examples of Buddhist causality and karma) in an eloquent, personal style redolent of the Romantic flowing rhythms of late 19th-century prose but undergirded by a very solid but understated, unpretentious erudition. The guy knows what he's talking about. His keenly observant and sympathetic eye catches how Buddhism really operates in the Japanese imagination and how it manifests in proverbs and customs and such, but he then goes on to shed much light on these phenomena by analyzing and interpreting them in terms of formal Buddhist scriptures and doctrines--all of which sounds like pretty dry stuff, but it's actually enjoyable and fascinating, even entertaining, due to Hearn's wonderful presentation. Somehow he transcended the tired, misleading "great tradition"/"little tradition" dichotomy (a.k.a. the elite/folk religion dichotomy) before it even started and deftly avoided the twin pitfalls of Anthropology and Buddhist Studies early in the game--all without a bunch of tedious methodological navel-meditating. And what's more, he did so in style! The spooky tales of the karmically unquiet are cool too, of course. Once you start reading, there's not a ghost of a chance you'll be able to put this book down.
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